There, she sits at a small desk next to her boss, a character of ambiguous morals and the fitting surname White, who asks her in the first few pages if she happens to have known Roberto Bolaño. The rest of her time is spent in the press’s dark office in Washington Heights. She spends half of the week visiting libraries around the city, carrying huge backpacks full of books while she searches for Spanish-language writers worth translating or reissuing. ![]() discusses the twin painting to Edward, Prince of Wales, located in Washington D.C.T he unnamed narrator of Valeria Luiselli’s 2011 novel Faces in the Crowd is a young Mexican woman living in Brooklyn and working, as many F-1 literary types do, at a small translation press. Orlando, FL: Harcourt Brace Corporation, 1987.Īn exhibition catalogue created by the Museum of Fine Arts in Houston which includes information about the artist as well as the reign of Henry VIII. ![]() ![]() Drawings by Holbein from the Court of Henry VIII. New York: William Morrow & Company, Inc., 1975.Ī discussion of Hans Holbein the Younger’s role in the history of Tudor painting. New York City: Routledge, 1997.Īn annotated bibliography of research sources about the artist. Hans Holbein the Younger: A Guide to Research. London: Thames and Hudson, 2004.Ī discussion of Hans Holbein the Younger and his role in the court of Henry VIII. Hans Holbein the Younger: Painter at the Court of Henry VIII. Watertown, MA: Charlesbridge Publishing, 1996.Ī book containing images of 12 different works of art, including Hans Holbein the Younger’s Edward, Prince of Wales, paired with thought-provoking questions that encourage children to explore the piece. Come Look With Me: Enjoying Art with Children. Denver, CO: The Denver Art Museum in association with the W.M.B Berger Charitable Trust, 1998.Īn exhibition catalogue from the Denver Art Museum. 600 Years of British Painting: The Berger Collection. The Berger Collection website provides information about Edward, Prince of Wales. More Resources Websites Berger Collection Educational Trust He died of plague in his forties, but his artistic influence was significant-English portraits were patterned on his style for almost a century after his death. ![]() Through his meticulous technique, Holbein achieved remarkable realism in details and, despite his emotional remove, some sense of individual character. In addition to painting royal portraits, he also traveled in Europe with a writer, assigned the unwelcome task of returning with portraits and written descriptions of potential brides for the king, to whom attractiveness was highly important. Holbein moved to England, where his reputation for highly skilled and dignified portraiture preceded him, and he became the official painter to King Henry VIII beginning in 1536. Holbein married and lived as an adult in Basel, Switzerland, but as the Protestant Reformation grew and religious images were being smashed and burned, it became increasingly difficult to succeed as an artist. His father, Hans Holbein the Elder, was also an artist and gave Holbein his first art lessons. Hans Holbein the Younger was born in Augsburg, Germany, and is considered the most important portrait painter in England during the Reformation, a time when Christian ideals changed greatly.
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